The Sweet Hereafter (1997)

Director:

Atom Egoyan

Writers:

Russell Banks (novel)
Atom Egoyan (screenplay)

Release Date:

21 November 1997 (USA)

Genre:

Drama

Tagline:

There is no such thing as the simple truth.

Plot:

This film documents the effects of a tragic bus accident on the population of a small town.

Plot Keywords:

Stroke Victim | Bus Accident | Pied Piper | Hippies | Nipples

Awards:

Nominated for 2 Oscars. Another 29 wins & 20 nominations

Cast

Ian Holm	...	Mitchell Stevens
Caerthan Banks	...	Zoe Stevens
Sarah Polley	...	Nicole Burnell
Tom McCamus	...	Sam Burnell
Gabrielle Rose	...	Dolores Discolt
Alberta Watson	...	Risa
Maury Chaykin	...	Wendell
Stephanie Morgenstern	...	Allison
Kirsten Kieferle	...	Stewardess
Arsinée Khanjian	...	Wanda
Earl Pastko	...	Hartley
Simon Baker	...	Bear
David Hemblen	...	Abbott
Bruce Greenwood	...	Billy
Sarah Rosen Fruitman	...	Jessica

Also Known As:

De beaux lendemains (Canada: French title)

MPAA:

Rated R for sexuality and some language.

Runtime:

112 min

Country:

Canada

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Singapore:NC-16 | Hong Kong:IIB | Iceland:12 | Argentina:16 | Australia:M | Brazil:16 | Canada:14A | Chile:18 | Germany:12 | Netherlands:16 | Norway:15 | Portugal:M/12 | Singapore:R(A) | Spain:13 | Sweden:11 | Switzerland:16 | UK:15 | USA:R

Filming Locations:

Merritt, British Columbia, Canada

Company:

Alliance Communications Corporation

Trivia:

Premiere voted this movie as one of "The 25 Most Dangerous Movies".

Goofs:

Audio/visual unsynchronized: When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a teakettle whistling but the one we see on the cooker is not the whistling type.

Quotes:

Mitchell Stephens: I can help you.
Billy Ansell: Not unless you can raise the dead.

Movie Connections:

Referenced in "My Wife and Kids: The Sweet Hairafter (#4.2)" (2003)

Soundtrack:

The Sweet Hereafter

Exceptional

There aren't many films that unfold with a true grace, like a bird spreading it's wings in a beautifully restrained manner. "The Sweet Hereafter" is one of them, it is an engrossing film that doesn't rely on emotional manipulation to effect it's viewer, it tells a tale like it is, and in the end, that is exactly what makes it so good. The film studies a small Canadian town in the face of tragedy, and carefully layers a series of intertwining stories involving a handful of locals who have all been impacted by the occurence. Every character seems to have a normal life at first, but as the film progresses, it becomes clear that they do not. They are emotionally void people who all harbour secrets and lies, and as much as they want to believe what they're doing is right, deep down they know it's not. Intense emotions of guilt and grief run through them, but for unusual reasons. "The Sweet Hereafter" examines the things that surface after the wake of a tragedy, after the eminent shock and sorrow, how people's lives become so deteriorated and barren. The film skillfully uses different perspectives, places and time to explore the span of everything involved, asking why some things in the universe are out of our control, and if they happen for a reason. I was impressed with the film's meticulous structure, every frame is measured delicately to maximise it's power, and it works 100 percent of the time. From stark to striking, it's visuals work just as well as it's intellect. Ok, so Russell Bank's novel is a bit clearer, but Atom Egoyan's take on it is just as effective, if not more. Another thing that makes this film shine are it's performances, Sarah Polley and Ian Holme are both superb, both exude with a gentle sadness that genuinely convinces. In all, "The Sweet Hereafter" is a film that needs to be seen, it is a beautifully realised and haunting film that's virtually impossible to forget.