The Lord of the Rings: The Two Towers (2002)

Director:

Peter Jackson

Writers (WGA):

J.R.R. Tolkien (novel)
Fran Walsh (screenplay) ...

Release Date:

18 December 2002 (USA)

Genre:

Action | Adventure | Fantasy

Tagline:

A New Power Is Rising.

Plot:

Frodo and Sam continue on to Mordor in their mission to destroy the One Ring. Whilst their former companions make new allies and launch an assault on Isengard.

Plot Keywords:

No Opening Credits | Flashback | Stabbed In The Chest | Explosive | Stabbed In The Back

Awards:

Won 2 Oscars. Another 65 wins & 75 nominations

US TV Schedule:

Sat. Aug. 23	8:00 PM	TNT
Sun. Aug. 24	4:15 PM	TNT

Cast

Bruce Allpress	...	Aldor
Sean Astin	...	Sam
John Bach	...	Madril
Sala Baker	...	Man Flesh Uruk
Cate Blanchett	...	Galadriel
Orlando Bloom	...	Legolas Greenleaf
Billy Boyd	...	'Pippin' Took
Jed Brophy	...	Sharku / Snaga
Sam Comery	...	Éothain
Brad Dourif	...	Grima Wormtongue
Calum Gittins	...	Haleth
Bernard Hill	...	Theoden
Bruce Hopkins	...	Gamling
Paris Howe Strewe	...	Théodred - Prince of Rohan
Christopher Lee	...	Saruman the White

Also Known As:

Herr der Ringe: Die zwei Türme, Der (Germany)
The Two Towers (USA) (short title)

MPAA:

Rated PG-13 for epic battle sequences and scary images. (also special extended edition)

Runtime:

179 min | 223 min (special extended edition)

Country:

USA | Germany | New Zealand

Language:

English | Sindarin | Old English

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Certification:

Canada:14A (Alberta/British Columbia) | Malaysia:U | Canada:G (Quebec) | Canada:PA (Manitoba) (original rating) | Canada:AA (Ontario) (original rating) | UK:12A (original rating) | Brazil:12 | UK:12 (video rating) | Hungary:14 | Canada:14 (Nova Scotia) | Canada:14A (Manitoba/Ontario) (re-rating) (video) | Argentina:13 | Australia:M | Denmark:11 | Finland:K-11 | Finland:K-15 (special extended edition) | France:U | Germany:12 (bw) | Hong Kong:IIB | Iceland:12 | Ireland:12 | Israel:PG | Italy:T | Japan:PG-12 | Netherlands:12 | New Zealand:M | Norway:11 | Peru:14 | Philippines:G | Portugal:M/12 | Singapore:PG | South Korea:12 | Spain:13 | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of the Grisons) | USA:PG-13 (certificate #39418) | Greece:K-13

Filming Locations:

Camperdown Studios, Camperdown Road, Miramar, Wellington, New Zealand

Company:

New Line Cinema

Trivia:

When Gollum spits in disgust at Sam's cooking of rabbits, that is Andy Serkis' very own spittle flying through the air.

Goofs:

When Gandalf and Theoden are talking outside town, near the burial mounds covered in white flowers, all the shots of Gandalf show the wind whipping his hair around, but in all the shots of Theoden there is not even a hint of a breeze in his hair.

Quotes:

[first lines]
Gandalf: You cannot pass!
Frodo: Gandalf!
Gandalf: I am a servant of the Secret Fire, wielder of the flame of Anor. Go back to the shadow. The dark fire will not avail you, flame of Udun! You shall not pass!
Galadriel: The power of the enemy is growing. Sauron will use his puppet Saruman to destroy the people of Rohan. Isengard has been unleashed. The Eye of Sauron now turns to Gondor, the last free kingdom of men. His war on this country will come swiftly. He senses the Ring is close...

Movie Connections:

Referenced in Frodo Is Great... Who Is That?!! (2004)

Soundtrack:

Farewell to Lorien

The final hour of The Two Towers is grand, terrifying, and epic on a biblical level.

The opening scene of The Two Towers provides an outstanding, yet very brief, taste of action, cinematography, and special effects, only to be matched (and far surpassed) in the final hour of the film. The stunning events of the third hour of The Two Towers are undoubtedly the centerpiece of the film, and while the first two hours serve finely as story development, they primarily build anticipation for the final hour, which mostly depicts the battle of Helm's Deep. More than anything else, the first two hours merely tease and torment the patient audience. It's a shame that such a gap has to exist between the first minute and the final hour, but I take no reservations in saying that despite how you feel about the first two hours of the film, the final hour will make the wait entirely worth its while.

As stated, the road to the battle of Helm's Deep can be enormously long and painful for any viewer aware of what breathtaking scenes await towards the end of the film. Perhaps The Two Towers' biggest fault is in its own accomplishments; the first two thirds of the film are well shot, well paced, and they necessarily and adequately progress the storyline, but when compared to the spectacular final hour, the first two hours seem uneventful and insignificant. However, to be fair, I feel that it's simply impossible to create two hours of film that could appropriately lead into the battle of Helm's Deep. It's difficult to comprehend how such scenes came to exist in the rather short amount of time Peter Jackson has had to create six hours (so far) of finished film. The battle of Helm's Deep is simply unreal; it's unlike any event that has come to pass since fantasy films gained, and regained, popularity.

As assumed, The Two Towers begins where The Fellowship of the Ring ended. The majority of the film follows four separate groups and their story lines: Frodo and Sam; Aragorn and Legolas, Merry and Pippin, and Saruman and his army. The performances live well up to the standards of the first film, with a particularly notable performance from Viggo Mortensen as Aragorn, whose role is significantly larger in The Two Towers. Aragorn satisfies a thirst for someone to root for, a thirst that was left partly unquenched in Fellowship. It's much easier to root for Aragorn than it is for Frodo; Aragorn has many more qualities of a leading man, a soldier, and a hero. More than once did the audience, filled mostly with academy voters, applaud the heroics of Aragorn. Gollum also shines in a much-welcomed large role, due to extremely realistic computer animation, and a fine performance from Andy Serkis, upon which the animation was modeled. In Fellowship, it was appropriate to consider Gollum one of the many great 'features' of the film. However, here he is more of a leading character and a 'star,' and his convincing dual-personality, stabbing voice, and well-choreographed body movements make him consistently eye-grabbing and the center of focus of nearly every scene in which he appears.

As was The Fellowship of the Ring, The Two Towers is a visual delight. Those who have seen Fellowship are no doubt familiar with the beauty of the landscapes of New Zealand. The cinematography is, again, one of the best aspects of the film. The swooshing camera movements that follow the armies and horsemen throughout the fields are extremely satisfying in this post-Matrix era. The shots of the ascending enemy-laden ladders in the battle of Helm's Deep are terrifying and chillingly gorgeous all at once. The visual effects take an appropriate leap forward from those of the first film. While the visual effects in Fellowship were outstanding, the battle of Helm's Deep provides for the best application of CGI since the rippling waves of The Matrix's 'Bullet Time.' The battle of Helm's Deep features absolutely awe-inspiring and seamless integration of acting, stunts, and computer animation. Each orc seems to have its own personality, demonstrated in its movements and visual features. The masses of armies fight with strategy and true character, which I imagine is much harder to accomplish than animating thousands of identical clone troopers. The only problem I have with the visual department is the look of Gimli, the Treebeard. Gimli's visual features seem a bit childish and uninspired, inconsistent with the standards set by the rest of the film. But again, there is simply nothing that compares to the battle of Helm's Deep. George Lucas and the Wachowski brothers certainly have not created anything that approaches the grandness and magnificence of The Two Towers' final hour, and I doubt they will do so anytime soon.

In The Fellowship of the Ring, I had a few minor problems with Howard Shore's score. While I thought it was gorgeous and it established several very memorable themes, I don't think it handled the sentimental scenes (opening in the Shire, Gandalf's passing) properly. I thought it caved in to the melodrama a bit too much, resembling the emotions from James Horner's Titanic. However, I believe that The Two Towers requires the type of score which Howard Shore accomplishes best: dark, continuous, and unrelenting, as demonstrated in Se7en and Silence of the Lambs. The theme used in many of the action scenes in Fellowship (low brass, six notes repeated with a rest in between) is much more present in The Two Towers, appropriately. A brand new theme is also unveiled, the theme for Rohan, a prominent kingdom in Middle Earth. Rohan's theme is played more often than any other melody in the film, underscoring most of the memorable and heroic scenes with great effect. Howard Shore undeniably exhibits his skills as an 'A-list' composer, and with a possible double Oscar nomination this year for The Two Towers and Gangs of New York, he could get propelled to the very top of the 'A-list,' right beside John Williams and Hans Zimmer in terms of demand.

If not the picture itself, there should be a way to recognize and award the battle of Helm's Deep. The battle sequence alone represents successful filmmaking in its highest form. The choreography of the battle, the visual effects, the pacing, acting, cinematography, and music, all work together in perfection to achieve grand filmmaking which is as entertaining and enjoyable as film can be. For this very reason, no one, whether a fan of Fellowship or not, should miss The Two Towers.