| Photos (see all 89 | slideshow) | Videos (see all 2) |
| George Clooney | ... | Harry Pfarrer | |
| Frances McDormand | ... | Linda Litzke | |
| Brad Pitt | ... | Chad Feldheimer | |
| John Malkovich | ... | Osborne Cox | |
| Tilda Swinton | ... | Katie Cox | |
| Richard Jenkins | ... | Ted Treffon | |
| David Rasche | ... | CIA Officer | |
| J.K. Simmons | ... | CIA Superior | |
| Olek Krupa | ... | Krapotkin | |
| Michael Countryman | ... | Alan | |
| Kevin Sussman | ... | Divorce Lawyer | |
| J.R. Horne | ... | Divorce Lawyer | |
| Hamilton Clancy | ... | Peck | |
| Armand Schultz | ... | Olson | |
| Pun Bandhu | ... | Party Guest #1 | |
| Karla Cheatham-Mosley | ... | Party Guest #2 (as Karla Mosley) | |
| Jeffrey DeMunn | ... | Cosmetic Surgeon | |
| Richard Poe | ... | Stretching Gym Patron | |
| Carmen M. Herlihy | ... | Prospective Gym Customer | |
| Raul Aranas | ... | Manolo | |
| Judy Frank | ... | Lawyer's Secretary | |
| Sándor Técsy | ... | Russian Embassy Escort | |
| Yury Tsykun | ... | Senior Russian Embassy Man | |
| Brian O'Neill | ... | Hal | |
| Robert Prescott | ... | Process Server | |
| Matt Walton | ... | Morning Show Host | |
| Lori Hammel | ... | Morning Show Hostess | |
| Crystal Bock | ... | PR Woman | |
| Patrick Boll | ... | Sandy's Man | |
| Logan Kulick | ... | Four-Year-Old Patient | |
| Dermot Mulroney | ... | Star of "Coming Up Daisy" | |
| rest of cast listed alphabetically: | |||
| RJ Konner | ... | Senator (uncredited) | |
Directed by | |||
| Ethan Coen | |||
| Joel Coen | |||
Writing credits(WGA) | ||
| Joel Coen | (written by) & | |
| Ethan Coen | (written by) | |
Produced by | |||
| Tim Bevan | .... | producer | |
| Ethan Coen | .... | producer | |
| Joel Coen | .... | producer | |
| David Diliberto | .... | associate producer | |
| Eric Fellner | .... | producer | |
| Robert Graf | .... | executive producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Emmanuel Lubezki | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Jess Gonchor | |||
Art Direction by | |||
| David Swayze | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup department head | |
| Patricia Regan | .... | key makeup artist | |
| Waldo Sanchez | .... | hair stylist | |
Production Management | |||
| Karen Ruth Getchell | .... | production supervisor: Washington DC | |
| Neri Kyle Tannenbaum | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bac DeLorme | .... | key second assistant director | |
| Betsy Magruder | .... | first assistant director | |
| Ronan O'Connor | .... | second assistant director | |
| John Silvestri | .... | second second assistant director | |
Sound Department | |||
| Craig Berkey | .... | sound designer | |
| Craig Berkey | .... | sound re-recording mixer | |
| Laurel Bridges | .... | boom operator | |
| Johnna Chism | .... | assistant sound editor | |
| Joel Dougherty | .... | first assistant sound editor | |
| Catherine Harper | .... | foley artist | |
| Kenton Jakub | .... | adr editor | |
| Peter F. Kurland | .... | sound mixer | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Tommy Louie | .... | sound utility | |
| Christopher Moriana | .... | foley artist | |
| James Morioka | .... | foley editor | |
| Greg Orloff | .... | sound re-recording mixer | |
| Byron Wilson | .... | dialogue editor | |
Visual Effects by | |||
| Daniel Abramovich | .... | digital compositor | |
| Randall Balsmeyer | .... | visual effects supervisor | |
| Ella Boliver | .... | digital compositor | |
| J. John Corbett | .... | digital compositor | |
| Aleksandar Djordjevic | .... | digital compositor | |
| Richard Friedlander | .... | visual effects producer: Brainstorm Digital | |
| Ali Kocar | .... | digital compositor | |
| Scott Minter | .... | digital compositor | |
| Mitch Paulson | .... | second digital colorist: EFILM | |
| David Piombino | .... | digital compositor | |
| Eric J. Robertson | .... | visual effects supervisor | |
| Steven J. Scott | .... | supervising digital colorist: EFILM | |
| Chris 'Pinkus' Wesselman | .... | digital compositor: Brainstorm Digital | |
| Adrienne Winterhalter | .... | visual effects producer | |
| Jun Zhang | .... | digital compositor | |
Stunts | |||
| Tim Buchanan | .... | stunt driver | |
| Danny Downey | .... | stunt double: Kevin Sussman | |
| Cort Hessler | .... | stunt driver | |
| Joanne Lamstein | .... | stunts | |
| Samantha MacIvor | .... | stunt double | |
| Samantha MacIvor | .... | stunt driver | |
| David Shumbris | .... | stunt double: Brad Pitt | |
Camera and Electrical Department | |||
| Tanner Bayer | .... | grip: Washington DC | |
| Mark Beattie | .... | electrician | |
| Hilary Benas | .... | additional camera loader | |
| Eric Boncher | .... | dimmer board operator | |
| Sarah Brandes | .... | assistant camera: Washington DC | |
| Edward Button | .... | assistant camera (as Ed Button) | |
| Jeff Callow | .... | grip: Washington DC | |
| Richie Ford | .... | rigging gaffer | |
| Zachary Henderson | .... | grip | |
| Billy Kerwick | .... | key rigging grip | |
| Jeremy Knaster | .... | electrician | |
| Christopher Moats | .... | grip: Washington DC | |
| Bill O'Leary | .... | gaffer | |
| Louis Petraglia | .... | rigging electric best boy | |
| Macall B. Polay | .... | still photographer | |
| Brent Poleski | .... | grip | |
| Guillaume Renberg | .... | remote camera operator | |
| Michael Rich | .... | lighting technician | |
| George Richmond | .... | camera operator | |
| Lance Rieck | .... | remote camera technician: scorpio head | |
| Robert Vuolo | .... | lighting technician | |
| Michael Wacks | .... | lamp operator | |
| Yueni Zander | .... | assistant camera | |
Casting Department | |||
| Melissa Braun | .... | extras casting associate | |
| Mandy Sprinkel | .... | location casting | |
| Rachel Tenner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Cha Blevins | .... | costume supervisor | |
| Danielle Cadorette | .... | tailor | |
| David Davenport | .... | costume supervisor | |
| Nicole Greenbaum | .... | set costumer | |
| Amy Roth | .... | assistant costume designer | |
| Nomi Shichor | .... | key costumer | |
| Helen L. Simmons | .... | costumer | |
| Michael Simon | .... | costumer: Washington DC | |
Editorial Department | |||
| Erik Freid | .... | post-production project manager | |
| Eileen Godoy | .... | digital intermediate producer | |
| Matt Hull | .... | assistant digital intermediate producer | |
| Jim Passon | .... | color timer (uncredited) | |
Music Department | |||
| Todd Kasow | .... | music editor | |
| Chris Robertson | .... | music clearance | |
Transportation Department | |||
| Teresa Haney | .... | transportation | |
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There's a point in this movie that George Clooney's character, Harry Pfarrer shows Frances McDormand's character Linda Litzke something that we've seen him working on for about half the movie. It was so surprising when I first saw it, that at first, I didn't even know what it was.
Once again, the Coens have created wonderful characters, including Clooney, who is a womanizer and paranoid that people are following him, and McDormand, who just wants plastic surgery in order to look better. Also, there's John Malkovich as Osbourne Cox, who "doesn't have a drinking problem," and maybe the best in the movie, Brad Pitt as Chad, a clueless gym employee who is pushed along by McDormand.
The only character that isn't up to par with the rest is Tilda Swinton's character of Katie Cox, Osbourne's wife. She doesn't get as many laughs as the rest, and it seems like the Coens just needed her as a plot device rather than an actual character. However, she may not be funny, but she does play the character well.
The writing is brilliant and the Coens weave the story in such a way that it reminds me of their previous movie, The Big Lebowski. In the end, as J.K. Simmons character sums it up himself, nothing really happens, but while watching it all unfold, you can't help but laugh at the absurdity.